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Re: [TenTec] OT: 7300 buy back program

To: "'Discussion of Ten-Tec Equipment'" <tentec@contesting.com>
Subject: Re: [TenTec] OT: 7300 buy back program
From: "rick@dj0ip.de" <Rick@DJ0IP.de>
Reply-to: Discussion of Ten-Tec Equipment <tentec@contesting.com>
Date: Tue, 16 Aug 2016 09:43:18 +0200
List-post: <tentec@contesting.com">mailto:tentec@contesting.com>
EXCELLENT Gary.  Thanks.

I only disagree on the timeline.  I don't think it will take so long.

The MB-1 from Sun SDR or Sun Expert (not sure which brand they are pushing) 
"claims" to be what you described, but it costs $5K.  However prices will drop 
rapidly as soon as competition is there.

Within 3 years we will have it.

In the year 2020, SDR with knobs a'plenty.  (no computer required) 

BTW, has anyone actually seen or used the MB-1?
I haven't heard a single user review yet.

73 - Rick, DJ0IP
(Nr. Frankfurt, Germany)



-----Original Message-----
From: TenTec [mailto:tentec-bounces@contesting.com] On Behalf Of Gary J 
FollettDukes HiFi
Sent: Tuesday, August 16, 2016 7:23 AM
To: Discussion of Ten-Tec Equipment
Subject: Re: [TenTec] OT: 7300 buy back program

I agree that discussion of the general concept of direct conversion and SDR is 
relevant to this reflector regardless of brand. At some point, all radios will 
be of this design because it will be the cheapest possible way to produce a 
radio.

I have not used the 7300, likely will not. I’d prefer an Omni 6+ that has SSB 
audio I can tolerate, a notch filter INSIDE the AGC loop and a standalone 
bandscope.

The topic of digitization at this level was discussed ad-nauseum back in 1983 
and 1984 as Compact Disk technology was just beginning as a “replacement for 
Vinyl records”. Things did not quite work out because the number of bits in the 
audio samples and the sampling frequency (44.1 KHz) required compromises that 
people with musical ears could easily hear.

The move towards direct digital conversion and SDR is a replay of the same 
thing. If you don’t use enough bits in the sampling process, and don’t sample 
often enough, there is not sufficient dynamic range to allow for the wide 
variations in signal strength experienced on HF. 

Most good operators can copy signals that are within a few dB of the noise 
floor, especially in CW. These signals can easily be S1 or less on most good 
receivers, depending on band noise.

The strongest signals (particularly in Europe with the big shortwave stations) 
can easily be 100 dB over S9 (48 dB) for a total signal dynamic range of 148 
dB. 16 bit sampling only allows for 96 dB dynamic range. In order to get 148 dB 
dynamic range (3 dB dynamic range improvement per bit) you would need 32 bits 
minimum to handle the range.

Keep in mind that, even though you are not LISTENING to that 100 dB over S9 
shortwave station, the receiver is still seeing it as this is part of the 
spectrum that the DSP is trying to unravel to select your signal of choice. 

When the input to a digital device exceeds its dynamic range, the results are 
far from linear so artifacts, not really unlike severe overload in analog 
circuits, are heard, but often to a far worse degree than with analog systems.

By analogy, the simple harmonic distortion produced in Vinyl by overdriving the 
cutting lathe were far more tolerable to the listener than the nasty aliasing 
that occurred from under sampling of audio signals in early CD recordings and 
the non-harmonic distortion that arose from the steps of quantization error 
with only 16 bit amplitude range, especially on soft notes whose bit level 
resolution was maybe two or three bits. 

As manufacturers learn this (Ten Tec included) things will get better, so long 
as the focus is on worst case receive scenarios. More bit depth and faster 
sampling rates will improve direct digital receivers to a point that they will 
be better than their analog counterparts. The marketplace will, however, 
dictate when that occurs. 

24 bit 96 KHz sampled audio has been available technically for 15 or 20 years 
using the DVD platform, but I have yet to see a disk that can offer it even to 
my damaged hearing. The marketplace preferred iPod(YUCK!) and MP3 (double 
YUCK!) because you could put 2000 “songs” onto a chip the size of a grain of 
rice, 100% of the songs being unlistenable sonically. Quantity wins out over 
quality for most people, especially if it’s cheap.

Accepting a product with the obvious failings of poorly implemented direct 
detection creates a market for the junk (translation - entry level) and delays 
introduction of top performance designs.

PS: I don’t want to have to have a PC running just to sit and listen to 20 
meters or to see a full scan of the band while I am doing something else. The 
only reason I don’t have an Eagle today is that getting a bandscope on it is a 
big PITA and I still need to have the PC running to use one.

 It will be a long time before TenTec or anyone else will offer a top 
performing fully digital receiver, with knobs and stand alone, so long as a 
trinket market exists for the performance level offered in the 7300.

Gary

W0DVN

PPS: There is still no digital camera anywhere with the color depth to match 
old fashioned Kodachrome 64. 8 bits per color? Not enough! Same cause, same 
result.

> 
> I am wondering about the same sorts of things.  I bought a new Omni VII 
> during the Fire Sale.  I got it with the optional 300 Hz CW filter.  Once the 
> novelty wore off, I started getting annoyed by having to push a menu button, 
> then scroll to a setting, and then select something like the setting the 
> keyer speed, and do some other actions, just to do what a lowly knob does on 
> my Corsair II and my MFJ keyer.  So, that radio has found a new home.  The 
> Argonaut VI has a complex system of making adjustments, too, but it is much 
> easier to use than the Omni VII, and seems to have a better receiver.  I am 
> using the Corsair II on HF again, and am starting to see why those people who 
> also own one, or have an Omni VI, prefer them to the newer rigs.  This was 
> brought home to me rather abruptly with the recent threads on keeping Orion 
> II rigs functional.  With a rather obstructed trap vertical installed on a 
> hillside, I am not going to set the contesting world on fire no matter what 
> radio or radios I use.  So, I can still prefer high performance radios that 
> are getting on in years, like me, and are much less complex to use.
> 
> Your Mileage will Most Certainly Vary...
> 
> 
> Steve WA9JML
> 
> 
> On 8/15/2016 1:16 PM, Mike Bryce wrote:
>> I have a hard time handling over $1500 for a radio and being told it’s 
>> ‘entry level.’ Nothing like scaring the bejesus out of a new ham who after 
>> spending all that money for a rig, he/she ends up with ‘entry level’ radio.
>> 
>> Does one really need a $4k/$5k radio to have fun with?
>> 
>> How in the world did you guys survive contesting using the Triton IVs, the 
>> TS-520s, the FT-101s, and the HW-101s?
>> 
>> 
>> Mike WB8VGE
>> 
>> 
>> 
>> 
>> 
>> 
>> 
>> 
> 
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