On Upper Sideband an audio note is heard when a signal is ABOVE the
"effective BFO frequency" and in order to bring that note to zero beat,
one must tune upward, lowering the pitch of the audio note until it is
zero. If you continue tuning upward, past zero beat, the note will rise
again as you are now detecting the signal in the lower sideband, if the
BFO is inside the IF bandpass. Or in most modern receivers with fixed
BFO frequencies that are on the edge of the IF bandpass, it will
disappear having gone outside of the IF filter(s) bandpass.
On Lower Sideband an audio note is heard when a signal is BELOW the
"effective BFO frequency" and in order to bring that note to zero beat,
one must tune downward, lowering the pitch of the audio note until it is
zero. If you continue tuning downward, past zero beat, the note will
rise again as you are now detecting the signal in the upper sideband, if
the BFO is inside the IF bandpass. Or in most modern receivers with
fixed BFO frequencies that are on the edge of the IF bandpass, it will
disappear having gone outside of the IF filter(s) bandpass.
By "effective BFO frequency" I mean the frequency at the antenna input
that results in a zero beat. This is equal to the frequency of the one
and only local oscillator in a direct conversion receiver. In multiple
conversion receivers it is a combination of one or more local
oscillators and the BFO. In some receivers, due to the conversion
scheme, the input signal at the antenna is inverted so that USB at the
antenna is LSB in the IF.
Some older receivers down convert from the input signal to the the IF on
higher bands and up convert from the input signal to the IF on lower
bands. In these receivers the direction you turn the main tuning knob to
go up the band may be opposite on some bands. The common use of 9 MHz IF
in early SSB rigs is what resulted in the amateur convention of using
USB on 20 meters and up, and LSB on 40 meters and down. The BFO was set
for USB operation, in the IF, and when up converting 40 and 80/75 meter
signals to the IF they get inverted. I believe that early Drake 4 series
rigs are an example of this, having dial markers going in both
directions on the VFO, and a NOR / OPPOSITE sideband switch instead of
LSB/USB.
I guess I went off on a bit of a tangent. The short answer is that in
USB the audio note decreases as you tune upward.
DE N6KB
John B. Egger wrote:
I'm a bit puzzled by these two O-2 modes. When UCW is selected, the
lower CW sideband is audible; that is, if zero-beat is 7020, to hear the
signal one tunes down to 7019 etc. When LCW is chosen, one must tune UP
from zero-beat to hear the signal.
Isn't this the opposite of what LCW and UCW should mean?
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