Chen,
The display on the MMTTY is good by 2000 standards, but not at all in the 2011
era where PowerSDR and DM780 waterfalls dominate the
eye-candy space.
One other problem with MMTTY - the spectrum seems to be after the BPF taps. So
you don't really get a good feeling for what's going
on in the spectral neighbourhood. Nor are there any markings (horizontal or
vertical) on the display.
MMTTY is functionally a great package. But it's just missing some of the
modern conveniences that new packages have unfortunately.
73, Jeff ACØC
www.ac0c.com
-----Original Message-----
From: Kok Chen
Sent: Wednesday, January 19, 2011 1:41 PM
To: RTTY Reflector
Subject: Re: [RTTY] DOS computer for improved RTTY reception?
On Jan 19, 2011, at 10:29 AM, Bill, W6WRT wrote:
> MMTTY has a spectrum display. Can't that be used?
I don't know. I don't have a computer that can run MMTTY to know what it has.
Does it have a spectrum display calibrated in dB so
you can eyeball a 3 dB or 10 dB change? If so, it will definitely work.
The main thing is to get the receiver noise floor above the sound card's noise
floor. If the noise floor only rises by 3 dB when
you turn the rig on, it means that the demodulation algorithm will have to also
deal with a significant amount of noise from the
sound card itself.
Too much rise in the noise floor is never a bad thing for weak signal reception
:-). However, when you take it to the extreme, it
is just a waste of dynamic range and you may have to "ride the gain" more often
when you do that.
You can choose a better sound card to avoid having to "ride the gain" (I do
that, personally). You eventually have to "ride the
gain" though, when your receiver's front end folds from a loud signal :-).
The noise floor of a microHAM sound card is around -96 dB from a full scale
signal. The best theoretical 16 bit sound card has a
dynamic range that is a fraction under 98 dB. An E-MU 0202/0204/0404 (based on
the second tier 24-bit Asahi codec) has a dynamic
range of about 115 dB and the Presonus FireStudio Mobile has a couple dB more
even.
The best commercial sound codec that I have come across is the top tier Asahi
codec that used in the Flex-5000; with a dynamic range
of 123 dB.
In general, the dynamic range is a combination of the chip used and just as
importantly, how much care the designer takes with
analog preamps, isolating the analog noise from the digital noise, etc, etc.
Once you get into the 100 dB range, you probably also need to wire things up
using the sound cards' balanced input, and then ground
the sound card to the radio using a short ground strap (that is what I do with
the E-MUs).
Incidentally, and for good reason, the ST-8000 also allows you to strap it as
balanced input.
73
Chen, W7AY
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