Hello to the group. I just picked up one of these headsets and I must say they are very comfortable. Incorporating them into my Orion II station is going to be nice. I just have a couple of questions
Phil, I just use the batter box with my CM500 and Orion II. Works fine. Rod/w7zrc<a href="http://overview.mail.yahoo.com?.src=iOS"><br/><br/>Sent from Yahoo Mail for iPad</a> ________________________
On 12/14/2013 4:50 PM, Phil Sikes wrote: r use a commercial version? If home brew, what did you use? Secondly, I would like to dump the battery box that brings power to the electrets element (2xAA's)
I use the battery box with the Omni VI+ and change the batteries once a year. _______________________________________________ TenTec mailing list TenTec@contesting.com http://lists.contesting.com/mai
I use the circuit that is discussed and pictured with schematic on page 67 of the November QST. The mic capsule should be (that is I am guessing from experience with these things) capable of taking s
No PAD should be needed. The mic is fairly high output, but I've never seen a rig that couldn't be turned down enough. _______________________________________________ I chance to disagree with just
On 12/16/2013 5:46 AM, Richards wrote: I chance to disagree with just this one minor point ... and offer my Omni VII and Orion II as an example. On the Omni VII one has to turn the AF-GAIN down to ne
Lessee -- I'm an EE by training and profession, and you're a retired attorney. _________________________________________________________ Well.. calling me names does not make you right! ;-) I KNEW it
I'm not debating anyone, but I did offer a response with technical details. Fundamental physical scientific principles are established by study, publication, and peer review, not by debate. Seems thi
Just my 2 cents from playing with mics and radios over the years - I've found that the electret condenser cartridges used in communication mics typically have quite a bit more output than the dynamic
In most cases, the MIC Gain is usually located electrically after one to two analog stages of amplification. Should the first or second analog stage be driven into clipping or distortion, adjustment